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看看这部《渡2024》，画风挺特别的。叙事很碎，没啥那种稀里哗啦的煽情大戏，就是让你光盯着人物在那儿磨，看着看着你自己就陷进去了。看着池韵把那种对生活既渴望又无力的拧巴劲儿演活了，看得人心里直发堵，这种角色不完美、甚至有点破碎的感觉，特别像极了我们在人潮中假装合群的时刻。池韵对角色的拿捏松弛而克制，那种在绝境中慢慢生长出的韧性尤为动人。 沈青怀着孕，压力很大。 她照顾着意外怀孕的学生和患有脑瘫的叔叔，后者有被赶出疗养院的危险。 成本不断增加，时间紧迫，但她和丈夫勉强承受。 当她收到自己的孩子有70%的几率先天残疾的消息时，她的婚姻陷入危机，沈青和她的丈夫为残疾胎儿的命运争论不休，而这个未出生的灵魂却同情地观察着一切。 相关搜索：
池韵等主演把人物身上那种隐忍的韧性演得让人心颤，那些关于“渡己”的瞬间，没有煽情，只是自然流露的唏嘘。
建议喜欢文艺片，或者想在电影里寻找现实共鸣的观众观看。
周洲导演凭借池韵的强势主演和脑瘫患者的参与，讲述了一个女人在一个对残疾人抱有偏见的世界里遵循自己道德的悲痛故事。 ——贾森·马赫（摘自大阪亚洲电影节官网）
Qing Chen is carrying a child and a lot of pressure. She is looking after a student who has had an unplanned pregnancy and an uncle with cerebral palsy who is at risk of being kicked out of a nursing home. Costs are mounting and time is short but she and her husband are getting by, just about. When she receives news that her baby has a 70% chance of being born disabled, it ignites a crisis in her marriage as Qing Chen and her husband argue over the fate of their unborn baby who is observing everything sympathetically.With a powerful leading performance by Chi Yun and the participation of people with cerebral palsy, director ZHOU Zhou gives a harrowing look at a woman following her own morality in a world where some hold prejudice against the disabled. [Jason MAHER]
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