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《文艺复兴解锁》完全颠覆了你对传统艺术纪录片的想象，沃尔德马·詹斯奇卡主持得就像个热情的波西米亚向导。
画面色彩浓烈，旁白充满激情与感染力，既有通俗幽默的解说，又不失深厚的艺术考究。最吸引人的是他的吐槽式点评，比如吐槽米开朗基罗的雕塑不修边幅，又解析艺术背后的宗教阴谋，把复杂的历史讲得像侦探片一样精彩。而且全程干货，幽默风趣，绝对值得一看。无论是想轻松了解艺术流变，还是纯粹为了欣赏震撼画面，这部纪录片都是绝佳的选择。看他在博物馆里蹦跶，仿佛跟着他钻进了画布里的秘密花园——原来那些挂满墙的“神作”，竟藏着这么多没说破的八卦和暗号。 According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 相关搜索：
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
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